New Moonlit Pond Records Artist – Jan Blaising – has been writing with Nancy Beaudette for a couple of years now. Currently, Nancy (along with collegue Connie Mims) is co-producing her first CD. “It’s a real joy to watch Jan blossom as a songwriter and even a bigger thrill to have seen her reaction when I told her she won a songwriting award!”
Last spring they wrote an incredible song together about Jan’s mother, a woman who grew up on the west coast and then moved to the central plains to take up residence as a minister’s wife.
Nancy secretly entered “Mountains Tops and Oceans” in the Christian/Inspirational category of the Great American Song Contest last fall, and March 31, 2020, it was named 2nd Place Finalist.
The CD, which will be called, “Faith, Hope and Love”, will be released in the coming months. Moonlit Pond Records is really excited for you to hear all of the songs included on this project. We will keep you posted.
Nancy Beaudette traveled to Egypt in 2018. She was captivated by the beauty of the land, the Egyptian people, and of course, all the mystery and intrigue surrounding their ancient culture. She wrote the song “River Nile” and created this video to try and capture a bit of her experience while visiting this amazing country.
Moonlit Pond Records is pleased to announce that it is sponsoring an Artist Residency program in Fiji.
After a month long songwriter retreat at Safe Landing Eco Lodge on Nacula Island, MPR artist Nancy Beaudette has made arrangement with the Lodge owners to welcome other songwriters and artists to experience the creative energy in Fiji too.
Artist–in-residence programs give Creatives the opportunity to live and work outside of their usual environments, providing them with time to reflect, research, or produce work. The experience often times has long term effects on the their life and work.
We have an incredible line up for the first six months of our 2020 Kerrville North Songwriter Series. Every third Thursday of the month, three songwriters will share the Ballroom Stage at The Bull Run Restaurant in Shirley, MA. The series is hosted by award-winning songwriter Nancy Beaudette.
Folkstage is an uninterrupted, one-hour concert featuring some of the best traditional and singer-songwriter talent in folk music. The live concerts can be heard Saturday’s at 8 PM on WFMT, immediately preceding The Midnight Special.
Nancy Beaudette will be in the studio on Saturday, November 23rd.
About 26 concerts per year are broadcast live from our studio in front of an audience. The remainder of the concerts are from our archives that stretch back 55 years, recent recordings made in the Chicago area, live broadcasts from the Old Town School of Folk Music, or recorded portions of our live studio concerts that were not previously broadcast.
The series is totally listener funded, and made possible in part by Nancy Clark, Andy & Becky Anderson, Freddi Greenberg & Dan Pinkert, an Anonymous Family Foundation and the members of the WFMT Fine Arts Circle.
Louisa Branscomb‘s 2019 release is a contender in the first round of voting for a Grammy. She is nominated in two catagories, Best Bluegrass Album and Best American Roots Performance.
This is a spectacular recording which is currently at the top of the bluegrass and roots music charts. We are really proud to have one of Nancy’s songs included on this recording! “End of the Line” was co-written by Louisa Branscomb and Nancy Beaudette, and features the vocals of two-time Grammy winner Becky Buller.
Bests of luck and may the Grammy winds be in your favour!
Nancy Beaudette met Louisa Branscomb at a festival a few years back, and they’ve been friends and co-writers ever since. We are thrilled to tell you their song “End Of The Line” is included on Louisa’s new CD release, “Gonna Love Anyway”.
Bluegrass fans will surely know the song, “Steel Rails”, recorded by Alison Krauss in 1990 which was a billboard success and went on to earn her a grammy. That song was written by Louisa and helped to propel her songwriting career to what it is today – she has either won or has been nominated for the industries most prestigious bluegrass awards.
This album features a new version of “Steel Rails” and a phenomenal group of singers and instrumentalists, like Tina Adair, Dale Ann Bradley, Alison Brown, and many more, all performing their versions of Branscomb’s songs. Two-time Grammy winner Becky Buller takes the lead vocals on “End of the Line”.
Co-producer Missy Raines helped select the songs for the album and explains, “We took a designer approach to thinking of who we felt best matched each song.”
There is a wonderful theme of ‘trains’ that rolls through this project. In Louisa’s own words, “Trains know where they are going. They are going to take every bend, it’s just the way it is. They go through it all– the mountains, deserts, seaboard cities, deserted farms, hobo camps. They carry people to their dreams, their homes, and their deaths. They are courageous in their power and in their giving in. Even with all that iron and steel and fire, they accept. They surrender to the track, to what lies ahead.They are hope, wisdom, and courage.”
We sincerely hope you’ll get yourself a copy of “Gonna Love Anyway”, and especially have a listen to “End of the Line”, appropriately placed as the last cut on the album, but certainly not the least among this superb song collection.
From the moment I set foot on Quiet Valley Ranch, I knew I was in for a truly rare and exceptional weekend. At the Kerrville Folk Festival registration building, I was given a special button that said, “Performer”, and among festival goers, the prestige of being a “NEW FOLK ARTIST” was the equivalent of rock star status.
Me and thirty-one other New Folk Finalists were invited to make Rouse House our home base for the duration of the festival. Deb and Lindsey, our hosts, went above and beyond to make sure we felt at home, and their camp was the perfect place to get to know one another and build community throughout our stay. I can’t thank them enough for all they do to support artists. Deb and Lindsey are extraordinary people.
The songwriting competition itself was less competitive than one would think. We learned from the judges, previous finalists or winners, and the festival director Dalis Allen, the real impetus for New Folk is to create a place where great songwriters from around the world can connect and collaborate with one another. It really is a beautiful mandate and one I certainly took to heart.
I was among the first eight performers to play on Saturday, May 26th, on the ThreadgillStage. Thankfully I was able to switch out nervousness for excitement and was pleased with how I presented my two songs. (By the way, we had to play the two songs we used to enter the contest which for me were “Reeds on the River” and “Six Pack”)
Out of thirty-two performers, only six can win. Everyone else places seventh, and over the years this has become known as Club Seven; I’m proud to be a full-fledged member. I will be eternally grateful for the opportunity to showcase alongside so many fabulous songwriters at such a prestigious venue. Thank you.